Saturday, March 19, 2022

A Poem a Day, Week 11, March 12-18, 2022

  A Poem a Day, Week 11: March 12 to 18, 2022

Welcome to Sifting the Rubble's weekly blog and podcast of my poem-a-day challenge for 2022.  I am your host, and poet, Emily Gibson.  The poems for the 11th week, Mar 12-18, were heavily influenced by my 6-week bicycle tour coming up in a few short weeks.    My partner and I are traveling the Pacific Coast route, from Bellingham, WA, to Santa Barbara, CA, in April and May.  As my training has ramped up, the significance of where I am now, compared to a year ago, has been a topic of rumination while pedaling the miles.   

This week, I completed massive revisions for three of my longest poems, which I sent away into the ether to a poetry contest.   It is incredible to see how the final drafts emerge--understanding that the word final is used lightly here, because every time I look at them, I think of other tweaks!  I think I will do a blog post of just these 3 poems, with the first draft, and the final draft I sent away, for anyone who wants to see what happened with the poems! Now I am working on 6 poems for a call for submissions to a literary magazine.   So much fun!!    

In other news, Sifting the Rubble is now on Instagram!   So, if Instagram is your social media of choice, you can follow here:  Emily Gibson (@blueheronms) • Instagram photos and videos 

And now, for this week's poems!


Poem #71  Study in Lenticular

by Emily Gibson, Mar 12, 2022

This afternoon, a master class displayed

in our sky to the west.

Apprentice cloud makers

practicing the art of lenticulars;

a study in gradients of white and gray on blue.

Layers of hillocks smooth enough to ski;

Pillows of down on beds of down comforters

covered in crisp cotton duvets;

Dollops of whipped cream in smooth 

ceramic white diner mugs;

Merengue in heaps and lofty peaks, 

waiting to bake;

Swaths of white table cloth dotted with multi-sized

dinner mints and butter mints,

bellies of white darkening to gray 

at the edges.

Oval dinner rolls ready to brown in the oven;

And Chinese dumplings of rice flour dough

holding pockets of some mystery.

I don’t envy the judges in choosing the best,

We can only hope a runoff match is next.


About "Study in Lenticular": I composed this poem in my mind while out with my horse, Ber, at the ranch where he lives. It was just as described here, a stunning display of lenticular clouds. Often, the photos of lenticulars are of the amazing and rare instances of them stacking up around a mountain peak. I like when they fill the sky like they did on this day, like herds of smooth, oval sheep.



Poem #72 Steel Blues

by Emily Gibson, Mar 13 2022


Riding homeward,

wheels spinning,

grateful for this tailwind,

a relief, a change

from 20 miles of bitter 

cold pushing me back.

Over home, in the distance,

a wall of layered steel blues waits,

thick, 

full of rain 

or hail 

or even snow,

Portent, ominous.

Will it stand by?

Will it hold back?

No matter, 

only one way 

through.

Pedal.


About "Steel Blues": Cycling is such a great opportunity for observing the world, and thinking on those observations. This was a hard ride out against a head wind, with some rain and snow pelting me as I first left home. So I had hoped for a fun ride back, but it was equally hard. The wind had shifted a bit, so it was a side wind for most of my return. But I was able to watch these layers of cold steel blue and gray line up above Bend, and ponder what it would be like when I was under them. Turns out, they were further east, and it was just cold when I got home!


Poem #73 Cue the Tumbleweeds

by Emily Gibson, Mar 14, 2022


Up ahead, 

I think there’s a missed opportunity

for a Tumbleweed crossing sign.

Perfect nexus of crossroad, 

western born wind,

and high desert flat lands

punctuated by individual junipers.

Gusts permeate, sandblasting

the landscape, herding

unfocused tumbleweeds

over blockades 

of ditches,

tree trunks,

and occasional boulders,

until they find the road,

where they roll with glee,

free.

Only to catch on a bush or shrub

on the other side,

waiting for the next wall of wind.


Growing up, we watched old Westerns

on our black & white television

with questionable reception.

My mom would holler

“Cue the tumbleweeds”

when they rolled across camera.

Same for chickens, cows, and 

wayward toddlers,

anything that crossed the path

of the characters on screen,

perfectly timed, 

as if by divine intervention.

Like an inside joke, we knew

it was the wranglers and grips.

But sometimes,

when my life is perfectly unfolding

I laugh, and wonder who 

is cuing the tumbleweeds. 


About "Cue the Tumbleweeds": This is one of my favorite poems from this week. For the memory it engendered of watching our little TV, and how my mom loved to lift the veil of movies, like how the Wizard was exposed in The Wizard of Oz (Pay no attention to the man behind the curtain!). I tried to capture, in this poem, the glee that was embodied by these tumbleweeds as they flew across the road, and their nearly audible "Oh rats!" as they caught again on some blockage.

Poem #74 Corner of the Eye

by Emily Gibson, Mar 15, 2022


In the sand, under a sagebrush,

beyond the barbed wire,

they catch my eye as I pedal past,

scattered like a super-sized 

set of Jacks:

six white vertebrae,

bovine in nature,

bleached from sun and wind.

No wonder the game was abandoned.

Balls won’t bounce

without hard ground.


About "Corner of the Eye": Another poem gleaned from cycling. As I ride along, things catch the corner of my eye. Sometimes I stop, like when I saw something round on the pavement and I thought it might be some cyclist's compass from their handlebar stem. I've always wanted one of those! It turned out to just be a bottle cap. I didn't stop for these bones, but I enjoyed thinking about them for a few miles.



Poem #75 Stained Glass Moment

by Emily Gibson, Mar 16, 2022


A cow thuds to the ground,

soft dry manure 

cushions

her bony hips,

scars etch her neck

from some mishap survived.

Something begs me 

"Look closer."

I see sun

shooting through 

a protruding placenta

glowing red from within

and a calf’s tiny head

in silhouette.


15 miles later,

on my return, 

cow back on her feet,

back with the herd,

her mini me, without scars,

attempting to stay on its feet

not yet hardwired 

to its brain.

The cow massages and dries her calf,

like a spa attendant, 

slapping her 50-pound tongue

on whatever bit of calf is nearest.

I sense her urgency 

in the cold evening

and her calf’s “Mooooooom” 

as it tries 

to stand upright

to nurse.


About "Stained Glass Moment": This poem began with seeing the sun's light through the placenta, and how it looked red like stained glass. When I returned, and found the newborn calf and the mama cow, I thought about how often stained glass was used to capture biblical moments. All life has great reverence, so the title of this poem was born, and eventually the poem. I still laugh, thinking about the cow's singular mind (must get you dry!) and the calf's struggle to stay upright and get the nutrition it needed to get stronger.



Poem #76 Unwieldy Weight

by Emily Gibson, Mar 17, 2022


The first time I straddled my loaded touring bike,

A monstrosity of unwieldy weight

With a mind of its own,

And attempted to pedal 

Almost 5 years ago,

I cried

Tears of fear, overwhelm,

I’d bitten off more than I could handle.

The first hill?

Had to get off and push,

Hot tears of shame brimming.


This time, over 8,000 miles later,

My bike loaded for bear for another tour

I swung my leg over

And pushed off.

The tears flowed.

Gratitude, triumph

An unshakable understanding

That I can handle it,

No matter 

What it takes to get up

The next hill.


About "Unwieldy Weight": This week I loaded my bicycle up, so I could start training with the added weight for a few weeks before the upcoming trip. After everything I have worked with over the past year, the lifequakes, and sifting the rubble to find what is next, I just feel really happy to be in this moment. This time last year, the debilitating fatigue hit, yet I kept on training for our bike ride planned for July and August 2021. Eventually, the cascade of symptoms was named (MS), and I accepted the reality that I would not be riding on tour that summer. It was the second cancelation--the prior summer we put off the trip due to Covid, but I rode over 3,000 miles on my bike (unloaded) around my home in Bend. As I pedaled off the first time this week, fully loaded, I was overwhelmed, but in a good way. And I thought about that first trip we took in the Palouse region of SE Washington and that first little hill I struggled up. We've come a long way, and not just in miles!


Poem #77 Triumph

by Emily Gibson, Mar 18, 2022


2,000 miles lie ahead,

Many rain slick or gritty

Narrow, rough, or congested.

Every mile will be measured 

By pedal strokes one after 

Another, steady and strong

Like a metronome’s cadence.

After the year past’s hurdles,

Challenges, tears and struggles,

Riding is celebration.

Every chain revolution

Turns the tide toward triumph.



About "Triumph": This poem is a companion poem to #76. What cycling in general, and going on tour more specifically, means to me is freedom. There is nothing, in my experience, like heading off with everything you own in your bike bags, ready to tackle whatever comes next. I don't know how this trip will go, I don't know how many miles we will cover, or how I will feel from day to day. I do know we'll be able to handle whatever comes. It will be a triumph, no matter the outcome!



Friday, March 11, 2022

A Poem a Day, Week 10: March 5 to 11, 2022

 A Poem a Day, Week 10: March 5 to 11, 2022

Welcome to Sifting the Rubble's weekly blog and podcast of my poem-a-day challenge for 2022.  I am your host, and poet, Emily Gibson.  The poems for the 10th week, Mar 5 to 11, were heavily influenced by a poetry class I attended, where I learned a number of new forms, including a metaphor poem, a Villanelle poem, a Ghazal poem, and a "golden shovel" poem, each of which I will describe in the "about this poem" section.  

I also was able to share one of my favorite poems, Redwood Memory, at the Wednesday Night Poetry open mic, hosted by Kai Coggins in Arkansas.     What great company, the poets from around the world who also shared their words and images.   Lovely!

Many hours I have spent this week on revisions for 3 poems, to submit to a poetry contest.  It is interesting how the more I learn about poetry, the more difficult revision becomes.  Especially for poems that mean a lot to me.  However, the flip side is that I am finding it easier to write poems that are better, from the outset, than I did before.  I have several to share next week where they came out of the box well formed, and the choices I was making as I wrote them were clearly influenced by the learning I've been doing!  I look forward to sharing them in week 11.     

On with the poems!



Poem #64, Giants with Toys

by Emily Gibson, Mar 5, 2022


Oregon’s Santiam River canyon,

a study of human actions

on the world.  

Reservoir levels sunken below

soggy stumps of a once-was forest,

all equally high,

like a buzz cut, sometime before

or after a

dammed river drowned it all.

Two years past,

a fire raced the canyon, 

hot winds 

tindered on brittle vegetation,

offspring of multiple droughts.

Flames ate everything

except a red metal waterwheel,

spared by a miracle of fire fighters

spared by a miracle.

Cleanup of the devastation,

a neatening of the chaos of dead foliage,

all scattered like a bedroom floor 

where giants’ children played

in Lincoln logs and tiddlywinks,

and erected teepees from slash and sludge.

Orange-brown logs tumble from

the ridgeline, sprinkling down the slope,

toothpicks scattered in the wind.

When will we learn to think

beyond our lives to the generations to come,

beyond our families to the interlocking

web of flora and fauna?

We are no longer giants playing with toys.

We never were.

About this poem: The images from the Santiam fires of 2020 are striking on the drive to/from Salem. As a passenger this time, I jotted down notes and took photos to capture what I saw, knowing there was a poem waiting. It started with the image of trees like toys, and how human actions have far more consequence that most people understand or want to know.

Poem #65, Metaphor of Mine
by Emily Gibson, Mar 6, 2022


My mind is a sweater writing on a cliff.

It unravels, leaving fuzzy cursive loops

catching on hangnails of ridges and ruts.


My mind is tree bark dreaming about a ranch.

It rushes to leave what is, for what could be,

missing the strength layered upon what was.


My mind is a bicycle yelling at the refrigerator.

It thinks self-driven propulsion is best,

forgetting the quenching cold of iced watermelon.


My mind is a diaphragm stretching across Australia.

It thinks about everything everywhere all at once,

never settling on the desert’s focused breath.


My mind is a book swinging above a pond.

It is stubborn on how days stretch to eternity,

ignoring the fatality of one mindless slip.


My mind is a carpet cooking across a staircase.

It flows over life’s idiosyncrasies

improvising lost ingredients.

About this poem: This poem was inspired by exercise in a poetry class on metaphor. We brainstormed 6 tangible nouns, 6 active verbs, and 6 more tangible nouns. We jotted down a body part, and then made sentences using a prepositional phrase between the verb and second noun. I originally chose "elbow" as my body part, but the metaphors fell kind of flat. When I substituted mind, they popped. It was fitting because the topic of mindfulness was heavy on my mind this week!



Poem #66, “Golden Shovel” Poem List

(inspired by the 1st line of Linda Pastan’s poem Lists)

by Emily Gibson, Mar 7 2022


Dreaming, I 

never made

truth. A

never-ending list

composed

of too many

things invisible.

But truth I

never did make.

About this poem: A Golden Shovel poem uses each word of a line of an existing poem, as the last word on each line of a new poem.  The line I used from Linda Pastan’s poem was “I made a list of things I have.” After you have written the poem, you can play with the language to help the poem emerge, as I did with turning the last word "have" into "make" to mirror the beginning line. It was neat to see this take shape.



Poem #67 Great Blue Heron, a Ghazal Poem

by Emily Gibson, Mar 8, 2022


From nowhere you appear, harbinger of sorts

Silent on wings no one can hear, messenger of sorts.

 

Upright of posture, wearing a suit of gray,

Tall and slim, somewhat severe, an emissary of sorts.

 

Evening ends with setting sun’s clouds. You call home,

Lifting off from a sodden pier, a dispatch of sorts.

 

Magician of illusion, are you a tree or reed?

Disappearing, only to reappear, an agent of sorts.

 

Alone, hunting is your lure, but not just for your digestion,

Carrying meals for offspring, sans bandolier, a courier of consorts.

 

Clarifying muddy mire, when my mind I cannot make,

Slicing legs into water smooth as an engineer, an envoy of sorts.

 

Fluid in sky, steady in water, yellow hunting eyes

Sharp as a well-honed spear, a go-between of sorts.

 

My totem being, beacon to my truth, sooth

Sayer of yes on questions unclear, a herald of sorts.


About this poem: A Ghazal Poem is a poetic form from Persia/Arabia.  Couplets, with the second line repeating a phrase, and a rhyme (the first stanza, both lines end with the phrase).  In this poem, I altered the form a bit, by having the phrase be “a ______ of sorts” and the _______   is  a word that is a synonym for messenger.  The rhyme is before this phrase, a word that rhymes with “hear.”  Each couplet could stand alone as its own short poem.



Poem #68  Stoic Serenity, a Villanelle Poem

by Emily Gibson, Mar 9, 2022


Serenity comes from knowing your mind-- 

Let go of that which you cannot control.

Peace, inside your sphere of influence, find.


If focus lies on what others assigned,

A manic mind runs on a hamster roll.

Serenity comes from knowing your mind. 


Throughout your life, control will be declined.

Attempts to exert your will, such a shoal!

Peace, inside your sphere of influence, find.


Here it is, in case you need a remind,

A guidance for your true heart’s inner soul:

Serenity comes from knowing your mind. 


Endeavor at control makes the mind blind.

Though rewarded you may seem, on the whole,

Peace, inside your sphere of influence, find.


All you control, in your thoughts is enshrined,

Those Stoic philosophers did extol.

Serenity comes from knowing your mind.

Peace, inside your sphere of influence, find.


About this poem: This is a Villanelle Poem form, which has a clear structure.  One of the most famous poets who used the Villanelle is Dylan Thomas:  “Do Not Go Gentle Into That Good Night”  In the first stanza, the 1st and 3rd line are used again in the following stanzas, and the rhyme pattern is repeated throughout (ABA).  The final stanza is 4 lines (ABAA).  I used Thomas’s structure of 10 syllable lines, for the rhythm it provides. The topic is straight out of the book, The Daily Stoic that I am reading, pretty much focused on the mind as your only spere of influence.



Poem #69, Move over, Heart

by Emily Gibson, Mar 10, 2022


Overused shack of emotions and love,

your shadow eclipses other organs it seems,

making invisible their qualities 

of tenderness and intimacy.

Why is the spleen incapable of feeling?

What makes the patella unable to lust, or

an epiglottis the unlikely symbol of devotion?

The right gluteus maximus is suitably strong,
the lobed liver as iconic an image.
Children could easily craft construction paper

cerebellums, to gift on Valentine’s Day.

Imagine reclaiming the middle finger

as a symbol of connection.

We could hold the universe of our passions

within our integumentary systems of skin.

Move over, heart,

there’s a new organ of endearment

awaiting a rainbow of emojis.


About this poem: When going over my poems with the teacher of my Sunday class, she said something about heart being used too much, or being a throwaway word in the context I used it in.    Then I noticed that I had the word "heart" in all 3 of the poems I had written for the class!  So this poem was born....


Poem #70, Feeling Competitively

by Emily Gibson, Mar 11, 2022


I don’t care about winning.

Games have emotional reasons, sure,

winning isn’t one of mine.

Trouncing competitors doesn’t feel good

if it happens too often or the margin is too wide.

Accidentally “missing” a play, 

just so the game doesn’t end too soon? Maybe, 

maybe more than twice, I, in a rare winning streak,

back off to offer a chance to another.

It feels fairer to me, and utterly unfair to those who worship

at the altar of winning. 


I play games for emotional reasons, artistic reasons, belonging reasons.

In Monopoly, yellow and orange properties go in my portfolio first, 

as well as Marvin Gardens  (A Beatles’ song never written)

and St. James (infirmary blues!).

Having a complete set of light blue properties feels better.   

Even though you need two hotels on each to forstall bankruptcy.

My brother played for blood.   After 3 rounds of Go

He owned the entire Park Place side of the board, all the railroads

and was well on his way to obliterating my rearing horse’s 

financial existence in less than 60 minutes.


No wonder I didn’t care about winning!  

I was used to, not having a ruthless bone in my body.  

As a risk adverse player,  I can’t take chances,

the sweat on my brow, my shifty eyes give me away, 

every time I try shooting the moon in Hearts.  

Yet decades crafting a persona incapable of a bluff,

no one expects me to,

so I do.   

And raucous laughter ensues.


Games are about relationships, time with people worrying 

about something other than topics to talk. 

I care about winning, not the way most people do.

An excuse

a lure, 

a means to an end, 

to build memories of feelings

under cover of competition.


About this poem: If you have watched my TEDEd Talk "The Nature of Impatience", this poem will sound familiar, because I first wrote about playing Monopoly with my brother in that script. I wasn't finished with the topic, though, and found myself wanting to dwell more on games, so this poem was born.


Thanks for reading and/or listening to this week's poetry podcast! See you next week for seven more poems!


Poem a Day Week 52, Dec 24-30

   Poem a Day, Week 52, Dec 24 to 30, 2022 Welcome to Sifting the Rubble's weekly blog and podcast of my poem-a-day challenge for 2022. ...